Top 100 Cult Classic Movies
Black Cult Classic Films Streaming on Netflix. These nostalgic cult classics may not have won Oscars, but they’ve delivered tons of iconic quotes, life lessons, and may have even inspired a few stand out celebrity Halloween costumes (Keri Hilson and Serge Ibaka as Lisa Mc. Dowell and Prince akeem — genius). This time of year, there’s nothing better than snuggling up and having a Netflix night complete with the flicks that made you laugh, cry, and discover your first Hollywood crush (looking at you, Morris Chestnut). In honor of Black History Month, here are the 1.
Netflix right now. Since we know Netflix likes to change their movie line- ups like underwear, we’ve saved you the trouble of a search. Coming to America (1.
This romantic comedy is such a classic that “black cult classic” is simply too confining of a description to categorize it with. Legendary comedian Eddie Murphy plays a determined yet sheltered African prince who has touched down in New York City in a last- ditch effort to find true love before being forced into an arranged marriage. You’d be hard pressed to find anyone that isn’t familiar with this film and the many characters that Murphy brought to life in the way only a comedic genius can. Poetic Justice (1.
Cult Classic Movies
I liken the character of Justice to a solar eclipse — every once in a while, they come around and catch all of our attention. From the legendary box braids to the snippy one- liners, there wasn’t one girl I knew who didn’t want to look like or possess the allure of Janet Jackson as the female lead. This is one of those classics that we’re lucky to have streaming on Netflix, because it’s literally impossible to get sick of.
Juice (1. 99. 2)In this drama, four mischievous around- the- way kids find themselves on a power- hungry rampage in their Harlem neighborhood. Late rapper and actor Tupac gives the performance of life in the role of Bishop, the headstrong and irrational leader of the pack who becomes obsessed with maintaining the crew’s influence in their hood, or having “the juice.” The backdrop of this flick is perfectly embedded in an homage to hip- hop in its glory days of the early ’9. Aside from that, you might be able to pick up a few style pointers, since the street style of the ’9.
Eve’s Bayou (1. 99. Trophy (2017) Movie Dvd Watch. This dark, psychological thriller uncoils the secrets of a well- to- do but deeply flawed family living in rural Louisiana during the ’6.
It’s told through the eyes of 1. Eve Baptiste (Jurnee Smollett — real life sister of Empire. As if the lurid details of her family’s secrets aren’t enough to process, she’s also realizing her psychic gifts and is taken under the wing of her Aunt Mozell, who also has future- seeing premonitions. Child actress Smollett carried this movie with acting chops that would put her older peers to shame. Watch 9/11 (2017) Free.
Forget your multi-million dollar blockbusters and box-office smashers; this blog is all about cult movies with fan-power. From the ridiculous to the sublime, we’ve. 50 greatest cult movies of all. So powerful has its rise to cult appeal been, its star has come out of obscurity for a. What started out as the movies you couldn’t. 05.30.2015 @ 2 :39.
Barbershop (2. 00. Movies like Barbershop manage to leave such an imprint on pop culture because of how incredibly relateable they are. The plot is simple, set inside a southside Chicago barbershop and anchored by good old trash- talking, controversial debates (like the one about O. J. Simpson, which we’ve all had behind closed doors), and the frictions between its characters.
Ice Cube and Eve also provide a decent execution of rapper- turned- actor with their portrayals as Calvin (barbershop owner) and Terri (the only female barber). Baby Boy (2. 00. 1)“Jodyy my Jody.” Let’s face it, ladies, aside from the glorious moments of seeing Tyrese. Every woman at some point has dealt with a baby boy — a guy that has all the potential to get it right but can’t seem to grow the fuck up. Jody is straddling the fence between being an honest, working family man, and satisfying his own selfish desires. The conflicts between his mother, whom he lives with, the mothers of his two children, and the street life he’s desperate to leave behind all tug away at him.
I found a great way to get the inside story on Logo’s new show, Cocktails and Classics. I got myself on it! Not long ago, I was asked if I’d be available to.
15 Future Cult Classics From 2015 That You Can Stream Now. The 20 Best Cult Movies On Netflix;. This film is set entirely inside a.
But trust, there are some moments of humor that lift your spirits along the way. Two Can Play That Game (2. If all is fair in love and war, then it’s safe to say Shante (Vivica Fox) unleashed World War III in this romantic comedy. When boyfriend Keith (Chestnut) takes interest in Shante’s arch enemy Connie (Gabrielle Union), Shante puts her “ten- day plan” into motion to toy with Keith’s head and make him come crawling back.
It doesn’t exactly check the boxes of cinematic excellence, but if you’re in the movie for a good old fashioned cheesy rom- com, press play. Hav Plenty (1. 99. Dig deep into the archives of black film and you’ll discover this gem.
Lee Plenty is a broke would- be writer with a terrible dating streak. He finds luck in Havilland Savage — his rich and beautiful old- time friend. When she invites him to her home for New Year’s Eve, they start to build up a romance and things get pretty interesting. This one’s a guilty- pleasure flick for sure. The cast of Black Ink Crew gives a lesson in Black history.
Inside Out: Voice Inside Your Head“It’s tough to get old.” I grew up hearing my mother sporadically spew those words whenever my sisters or I were confronted with the pitfalls of aging. A zit erupts on your nose the night before picture day? Grab some makeup because it’s tough to get old.
You didn’t get into your dream college? Apply to a safety school because it’s tough to get old. Your knee is creaking whenever you run?
Grease that baby up because it’s tough to get old. No film captures the emotional turmoil of growing up quite like Disney and Pixar. Though the motivating conflict is external, this film is thoroughly internal as the audience becomes acquainted with Pixar’s personifications of Riley’s five key emotions: Joy, Sadness, Disgust, Anger, and Fear. Joy (Amy Poehler) is accustomed to being in control. Since day one, she’s gleefully steered Riley through life—with occasional help from her compatriots. After Riley relocates to San Fran, however, Sadness (Phyllis Smith) becomes more prominent.
She begins to touch Riley’s core memories, throwing the young girl’s personality and behavior out of whack. When Joy and Sadness find themselves removed from headquarters (the place in Riley’s brain where her emotions inform her perception of the world), they must work together to return and to bring equilibrium to Riley’s life. Whereas many children’s animated movies have about as much depth as a discount kiddy pool, Inside Out is overflowing with perspicacity. It comes from the same minds who gave us Up, so it’s no surprise that this flick is packed with tear- jerking moments. But all this emotion is in perpetuity of Inside Out. And there is a lot of humor.
It all starts with Riley’s birth and the subsequent birth of her feelings. So, let’s begin with those emotions, all of which are perfectly cast. As Joy, Amy Poehler buzzes with effervescence. Whether she’s complimenting herself on her outfit or greeting the day with an accordion jig, she’s always focused on finding the fun.
Joy is the first feeling to form—though she’s joined 3. Sadness—and she has the most difficulty adjusting to Riley’s evolving emotional vocabulary. When Joy meets sorrow, the audience feels Poehler coming to terms with Riley’s lost childhood. And that loss hits hard. You might remember Phyllis Smith from her role on The Office. As Sadness, Smith transforms into the quintessential grey cloud, offering up advice like “We could cry until we can’t breath.” Sadness is used to having her negative tendencies placated by Joy, but Riley’s move constitutes a major shift in her emotional paradigm, a shift that requires Sadness in order to find stability. Director Pete Docter recently spoke to Fresh Air with Terry Gross about why Sadness is such a key character.
He said: “We were wrestling with these two different themes of growing up and then embracing sadness. Enter Disgust (Mindy Kaling), Fear (Bill Hader), and Anger (Lewis Black). Kaling, who has honed her penchant for sarcasm and side- eyeing in The Office and her eponymous series The Mindy Project, evokes Disgust to a tee—though her chic A- line dress and 1.
Disgust’s main concern is to get Riley looking good and feeling great. She besmirches broccoli and hones in on the cool girls in class, cooing that, yes, we want to be in their group, but, no, we can’t just walk up and talk to them. Bill Hader’s Fear is less of a horror- movie fanatic and more of an antsy worrywart in an argyle sweater. He aims to keep Riley safe, whether the threat is a misplaced extension chord or the teacher calling on her in class.
Hader’s vocal range and manipulation give the character buoyancy; few actors can find as many amazing means to scream as Hader does in this film. Finally, there’s Lewis Black’s Anger. Black is basically the godfather of angry standup comedy, so this particular casting choice was truly genius. Anger controls Riley’s sense of fairness and is quick to put his foot down if justice isn’t served. In the world of Anger, the decree of . It might just be me, but I feel as if Black’s Anger emotes the most out of all the characters. When his head bursts into flames, I can see Black shaking with violence in my mind’s eye.
Docter takes pains to make Riley’s inner world as vivid as her outer. From the Dream Production studios reminiscent of Paramount to her Imagination Land where french fries grow like tries, Docter clearly urged his animators to let their own Imagination Lands flourish. However, one of the most rewarding aspects of the film is when we briefly enter the minds of other characters. In Riley’s mom’s interior life, Sadness is at the helm.
In her dad’s, it’s Anger. In the snooty pizza server’s, it’s Disgust. These subtle changes illustrate how idiosyncratic our own emotions are, even if the base characters are the same. All of this speaks to Inside Out. Pixar excels at making movies that kids and their parents want to see, but Inside Out takes it a step further by focusing on a compelling evolution that everyone will experience at one point or another. And that’s something to smile about.