Experience The Lighter Side of Bong Joon- ho. Bong Joon- Ho teams with Netflix for a saccharine “monster movie.”One of the fundamental filmmakers of the Korean New Wave, Bong Joon- ho is among a group of filmmakers responsible for the renewed interest in Korean cinema.
His expert blend of dark humor and horrifying drama can be seen in such early classics as Barking Dogs Never Bite and Memories of Murder. In 2. 00. 6 Bong released The Host, his eco- horror film which is considered one of the best monster movies of the new millennium. With The Host, Bong used a sea monster ravaging the streets of Seoul to comment on environmental abuse by the United States military. His first collaboration with Netflix, Okja, sees Bong returning to the themes and subject matter of The Host, this time with a somewhat sunnier approach. Okja is technically Bong’s second English- language feature, yet most of the first act takes place in rural South Korea. Unlike his previous American- made film Snowpiercer, Okja really does feel like a true Korean film.
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Happy Birthday Werner, with "Herzog by Ebert" Chaz's Journal The burden of expectations surrounding this revival isn’t the fault or responsibility of either Lynch or Showtime. It’s more like an unfortunate side effect of. Jump-start your day by watching Lin Shaye battling demons that are now plaguing her own home.
It often blends Bong’s famously dark and comedic tones with the pure absurdity often associated with Japanese filmmaker Sion Sono (specifically of Love & Peace). One can certainly call Okja a monster movie, yet that assumption is somewhat inaccurate. Yes, there is a giant “super- pig” that tears through a Seoul shopping center, but the real monsters in Okja are the humans. The film opens in 2. Lucy Mirando (Tilda Swinton), the CEO of the Mirando Corporation, seeks to re- brand with a new project. Twenty- six “super pigs” will be sent to different homes across the world and in ten years time, the best pig wins.
Cult Horror Movies Meyerowitz Stories (2017) Old
Skip ten years, and we join Mija (Ahn Seo- Hyun) in the mountains with her beloved Okja. The ten- year- old super pig looks somewhat like the lovechild of a manatee and a hippopotamus. Once the viewer adjusts to Okja’s appearance, there really isn’t anything monstrous about her. She’s kind of like a big puppy: hungry, playful, and eternally loyal. Reenter the Mirando Corporation who sends Dr. Johnny Wilcox (Jake Gyllenhaal) to throw a sash over Mija’s shoulders and take her beloved friend back to New York City. Enter the Animal Liberation Front, who are part Symbionese Liberation Army, part Reservoir Dogs, to take Okja back.
Okja is a film of vast sensibilities. There’s a fun romp about bumbling eco- terrorists and a love story between friends, but what hits the hardest is the film’s take- down of the meat industry. It is all fun and games for a while, but once the Mirando Company begins their experiments, things get terribly dark fast. As the final act approaches Bong has already charmed his audience. So what better time to start hammering in some ideologies about how terrible we are for eating meat? Download The New The Glass Castle (2017) Movie here. Scenes in an animal testing facility are particularly disturbing, but it’s when we get to the slaughterhouse that Okja will make you feel particularly awful for ingesting that bacon with breakfast. Swinton seems to be in complete synchronization with Bong.
Okja marks the pair’s second collaboration and first with Swinton serving as producer. The actress’s continued fascination with costume and appearance is fully utilized here, where Swinton plays both malicious a CEO with a Barbie- like smile plastered on her face, as well as her dastardly twin- sister. The rigor with which Swinton approaches each movement allows her to fit perfectly in Bong’s wacky world. Gyllenhaal, on the other hand, matches Swinton with a performance that is completely unhinged. Wilcox is zany and wears his desperation in every gesture. In its moments, Okja bombards the audience with socio- political commentary on the meat industry and society’s need to consume. While rarely subtle, this commentary succeeds due to its relevance to the love story at the film’s center.
Once again, Bong proves that he is a master of dark comedy, a true environmentalist, and a man with a big heart.
Nine movies to watch out for. I Want To Watch The Full Movie Of My Entire High School Sinking Into The Sea (2017) here. CANNES, the biggest and most high profile film festival, just wrapped up. Debuting your upcoming film at Cannes is a huge honour and studios use the opportunity to generate buzz for their projects, many of which go on to be critical darlings, fan favourites or win Oscars. It’s safe to say you won’t find the umpteenth Transformers blockbuster at Cannes. Here are nine films out of Cannes to watch out for in the coming months. These are the movies everyone is talking about. THE MEYEROWITZ STORIES One of two Netflix films that caused considerable controversy at Cannes (French exhibitors objected to Netflix’s cinema- less release model), The Meyerowitz Stories is directed by Noah Baumbach, the man behind The Squid and the Whale, Greenberg and Francis Ha.
Ben Stiller and Adam Sandler star as two estranged half- brothers in this quirky family comedy about grown siblings learning to live with each other when they reunite for their sculptor father’s (Dustin Hoffman) show. It’s already drawing comparisons to The Royal Tenenbaums and earning surprising praise for Sandler’s performance with critics calling it his best turn since P. T. Anderson’s Punch Drunk Love, proof Sandler can do good work when he’s not involved in the writing, directing or producing.
The Meyerowitz Stories will be released on Netflix later this year. THE BEGUILED Sofia Coppola’s first movie since 2.
The Bling Ring (unless you count A Very Murray Christmas), The Beguiled is a triumphant return for Coppola to Cannes, picking up the Best Director prize, only the second woman to do so. It was a much warmer reception than when Coppola screened Marie Antoinette at the film festival in 2. French audience. Starring Nicole Kidman, Colin Farrell, Kirsten Dunst and Elle Fanning, The Beguiled is an adaptation of Thomas P. Cullinan’s 1. 97.
Set during the American Civil War, a wounded soldier turns up at a female seminary — his presence stirs the isolated atmosphere of the school. The Beguiled will be playing at the Sydney Film Festival this month and will be released in cinemas on July 1. THE SQUARE Winner of this year’s Palme d’Or, The Square is a satire about the art world from Swedish director Ruben Ostlund (Force Majeure) starring Elisabeth Moss and Dominic West. Described by one reviewer as “gobsmackingly weird with moments of pure showstopping freakiness”, The Square is the story of Christian, a museum curator gearing up for an exhibition that’s supposed to inspire altruism. But when the PR agency creates an unexpected campaign for the exhibition and Christian loses his phone, everyone is sent into an existential crisis. The Square is the first comedy to win at Cannes since Fahrenheit 9/1. OKJAFrom Korean director Bong Joon- ho (The Host, Snowpiercer), Okja is a charming action- adventure story about a young girl who’s trying to keep her best friend from the clutches of an evil multinational corporation.
Mija’s bestie, a genetically modified “super pig” the size of a hippo, is the perfect pet. But Mija is stricken when she finds out her pet was a publicity stunt for a food company and now they want it back and in their bellies. Tilda Swinton plays a pair of competitive twins while Jake Gyllenhaal, Paul Dano, Steven Yeun, Giancarlo Esposito, Lily Collins and Ahn Seo- hyun also star. Okja will be playing at the Sydney Film Festival this month and will be available to stream on Netflix on June 2.
LOVELESSA Cannes favourite from the moment it screened in the festival’s first week, Loveless is from Russian director Andrey Zvyaginstsev who made the excellent, Oscar- nominated Leviathan in 2. Ostensibly about the toxic, dying marriage of two people who are spurned into action when their 1. Leviathan, Zvyaginstsev uses Loveless to make a bigger point about Russian politics and culture, without directly saying it. Variety’s Owen Glieberman said it was more about “the crisis of empathy at the core of . Huppert plays Anne, the matriarch of a bourgeois family ignorant of the wider social calamities just outside their Calais compound. Happy End will be screening at the Sydney Film Festival this month and will be released in cinemas later this year. THE FLORIDA PROJECTIn 2.
Tangerine, Sean Baker took filmgoers into the back alleys of Los Angeles among the world of prostitutes and their pimps. In The Florida Project, he takes a similar approach in taking us on a journey to the margins of society, this time to a cheap motel a mile away from Disney World. The film focuses on a six- year- old and her ex- stripper mother, scrapping together their weekly rent by working menial jobs. The closest thing the child has to a father figure is the motel manager (Willem Dafoe).
It’s a film very much about the resilience of children in dire circumstances from a director adept at portraying the humanity of the overlooked. THE KILLING OF A SACRED DEER The other joint winner of the Best Screenplay category, The Killing of a Sacred Deer is Yorgos Lanthimos’ follow- up to his critically beloved and inventive 2. The Lobster. In The Killing of a Sacred Deer, a surgeon (Colin Farrell) and his wife (Nicole Kidman) are the parents of an affluent American family living a fairly normal life until a teenage boy whose father died on the surgeon’s table enters their lives. The psychological thriller/horror has been likened to Blue Velvet and the early works of David Cronenberg as the interloper’s sinister motives are revealed. Continue the conversation on Twitter with @wenleima.