Lost Girls - Wikipedia. Lost Girls is a graphic novel written by Alan Moore and illustrated by Melinda Gebbie, depicting the sexually explicit adventures of three female fictional characters of the late 1.
Alice from Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking- Glass, Dorothy Gale from L. Frank Baum's The Wonderful Wizard of Oz, and Wendy Darling from J. Barrie's Peter and Wendy. They meet as adults in 1. Plot summary. The women meet by chance and begin to exchange erotic stories from their pasts. The stories are based on the childhood fantasy worlds of the three women: Wendy Darling. Wendy's sexual escapades begin when she meets a homeless teenage boy named Peter and his sister Annabel in Kensington Gardens.
Peter follows the three siblings home and teaches them sexual games, and the siblings begin regular meetings with Peter and his group of homeless boys in the park for sex. These encounters are watched by The Captain, a co- worker of Wendy's father, who later hires Peter as a male prostitute and brutally rapes Annabel. He attacks Wendy, who escapes by confronting him with his fear of ageing. She only sees Peter once more, hustling in a train station.
She marries the much older Harold Potter with whom she is sexually incompatible. The pair have a platonic marriage, and Wendy is able to repress her memories of sex.
Dorothy Gale. While trapped in her house during a cyclone, she begins masturbating and experiences her first orgasm at the age of fifteen. She has sexual encounters with three farm hands whom she refers to as The Straw Man, The Cowardly Lion and The Tin Man. Throughout most of her stories, she refers to her .
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Her father takes her to New York City, under the pretense of seeking psychological help, but has sex with her repeatedly while they are in the city. Dorothy feels guilty for the pain they have caused her stepmother, and leaves to travel the world. Alice Fairchild. At fourteen, Alice is coerced into sex with her father's friend, which she endures by staring into a mirror and imagining she is having sex with herself. At an all- girls boarding school, Alice convinces many of her schoolmates to sleep with her, and develops a strong attraction to her P. E. Alice's employer marries a Mr. Redman, but begins hosting extravagant, drug- fuelled lesbian sex parties. Alice becomes addicted to opium, and watches a young girl named Lily, among many others, abused just as she was.
When Lily is instructed by Mrs. Redman to secretly perform cunnilingus on Alice under the table during a dinner party, Alice exposes her employer's secrets to the guests.
Redman has Alice declared insane, and she is put into a mental hospital where she is systematically raped by the staff. Upon release Alice resumes her very active sex life and drug use. Disowned by her family, she moves to Africa to run a family- owned diamond mine.
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In addition to the three women's erotic flashbacks, the graphic novel depicts sexual encounters between the women and other guests and staff of the hotel. The erotic adventures are set against the backdrop of unsettling cultural and historic events of the period, such as the debut of Igor Stravinsky's The Rite of Spring and the assassination of Archduke Franz Ferdinand of Austria.
The graphic novel ends with Alice's mirror being destroyed by German soldiers who burn down the Hotel. Literary significance and reception. Despite the price of US$7. US sales at the end of 2. He has also said that his own description of Lost Girls as .
Barrie in 1. 92. 9—asserted that Moore would need their permission to publish the book in the UK and Europe. Moore indicated that he would not be seeking their licence, claiming that he had not expected his work to be . On 1. 1 October 2. Top Shelf signed an agreement with GOSH that did not concede copyright infringement, but delayed publication of Lost Girls in the UK until after the copyright lapsed at the end of 2. Allusions and references.
Alice's sections feature ovals reminiscent of her looking- glass; Wendy's are shrouded in tall, dark rectangles reminiscent of the shadowy Victorian architecture of her time, and Dorothy has wide panels in imitation of the flat landscape of Kansas and prominently featured silver shoes. Dorothy Gale, raised on a farm, speaks in a casual Midwestern American dialect. Wendy's speeches are heavy with timidity and clumsiness as a result of the repressive nature of her middle- class upbringing. Alice, having briefly been made queen (in Through The Looking- Glass And What Alice Found There), is more authoritarian in her upper- class English speech patterns and formal manner. Lewis Carroll's nonsense- words also make allusory appearances in Alice's dialogue, including phrases such as .
Frank Baum). Parts of these citations are used as titles for each book: First volume: Older Children (. Who are you and why do you seek me?. This format initially derived from its original serialised publication in Stephen R. Bissette's anthology Taboo, but it also reflects Carroll's multi- layered usage of mathematical allusions and links as there are 8 squares in the length of a chess board (a prominent feature of Through The Looking- Glass, and the key to becoming a queen in both game and book) as well as his poem The Hunting of the Snark being An Agony In Eight Fits. The regular chapters are interspersed with pornographic pastiches of works by artists and authors of the period, presented as chapters in Monsieur Rougeur's White Book, a collection of illustrated pornographic stories. Each chapter is in the style of different authors and artists of the period: these include presentations in the styles of Colette and Aubrey Beardsley, Guillaume Apollinaire and Alfons Mucha, Oscar Wilde and Egon Schiele, and Pierre Lou. Rowling's first book was published.).
Every other field of human experience—even rarefied ones like detective, spaceman or cowboy—have got whole genres dedicated to them. Whereas the only genre in which sex can be discussed is a disreputable, seamy, under- the- counter genre with absolutely no standards: . Eventually Top Shelf was selected as the publisher, and at one point the finished product was meant to be released in late 2. Top Shelf later planned to debut it in the United States at the 2. San Diego Comic- Con, but due to graphic design taking longer than anticipated, it was released at the July 2. In the UK the book was published on 1 January 2. Moore and Gebbie at a book launch in London on 2 January.
The original three- volume slipcase edition of Lost Girls was replaced in summer 2. So, she would construct the pages of artwork from my incoherent thumbnail sketches and then I would put the dialogue in afterwards. Comic Book Resources.
Retrieved 3. 1 May 2. Retrieved 2. 01. 5- 1. Retrieved 2. 01. 5- 1. Retrieved 2. 01. 5- 1. Retrieved 2. 01. 5- 1. Retrieved 2. 01. 5- 1. Comics Alliance. Archived from the original on 4 October 2.
Retrieved 1 October 2. Taylor, Jerome (2. March 2. 00. 9). The Independent. Retrieved 1. 1 May 2.
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August 2. 00. 6 at the Wayback Machine.^Alan Moore « Interview « Ready. Steady. Book – a literary site^Article on The First Post: People: Lost Girls author gets happy ending.