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Film - Wikipedia. Film, also called a movie, motion picture, theatrical film, or photoplay, is a series of still images that when shown on a screen create an illusion of motion images (due to the phi phenomenon). This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. The process of filmmaking is both an art and an industry. A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects.

The word . The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations. Contemporary films are now fully digital through the entire process of production, distribution, and exhibition from start to finish, while films recorded in a photochemical form traditionally included an analogous optical soundtrack, which is a graphic recording of the spoken words, music and other sounds that accompany the images. It runs along a portion of the film exclusively reserved for it and is not projected.

Reviews of classic films and television series from the silent era to the 1980s.

Films are cultural artifacts created by specific cultures. They reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment, and a powerful medium for educating—or indoctrinating—citizens. The visual basis of film gives it a universal power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles to translate the dialog into the language of the viewer. Some have criticized the film industry's glorification of violence. During projection of traditional films, a rotating shutter causes intervals of darkness as each frame, in turn, is moved into position to be projected, but the viewer does not notice the interruptions because of an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed.

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The perception of motion is due to a psychological effect called phi phenomenon. The name . Many other terms exist for an individual motion picture, including picture, picture show, moving picture, photoplay, and flick. The most common term in the United States is movie, while in Europefilm is preferred.

TCM Remembers Jerry Lewis (1926-2017) Turner Classic Movies pays tribute to Jerry Lewis on Monday, September 4 with the following festival of films. Tickets for Concerts, Sports, Theatre and More Online at TicketsInventory.com.

Terms for the field, in general, include the big screen, the silver screen, the movies, and cinema; the latter is commonly used in scholarly texts and critical essays, especially by European writers. In early years, the word sheet was sometimes used instead of screen. History. Preceding technologies. Preceding film in origin by thousands of years, early plays and dances had elements common to film: scripts, sets, costumes, production, direction, actors, audiences, storyboards and scores. Much terminology later used in film theory and criticism apply, such as mise en sc.

Owing to the lack of any technology for doing so, the moving images and sounds could not be recorded for replaying as with film. The magic lantern, probably created by Christiaan Huygens in the 1. Typically, two glass slides, one with the stationary part of the picture and the other with the part that was to move, would be placed one on top of the other and projected together, then the moving slide would be hand- operated, either directly or by means of a lever or other mechanism. Chromotrope slides, which produced eye- dazzling displays of continuously cycling abstract geometrical patterns and colors, were operated by means of a small crank and pulley wheel that rotated a glass disc. These devices relied on the phenomenon of persistence of vision to make the display appear continuous even though the observer's view was actually blocked as each drawing rotated into the location where its predecessor had just been glimpsed.

Each sequence was limited to a small number of drawings, usually twelve, so it could only show endlessly repeating cyclical motions. By the late 1. 88. The use of sequences of photographs in such devices was initially limited to a few experiments with subjects photographed in a series of poses because the available emulsions were not sensitive enough to allow the short exposures needed to photograph subjects that were actually moving.

The sensitivity was gradually improved and in the late 1. Eadweard Muybridge created the first animated image sequences photographed in real- time. A row of cameras was used, each, in turn, capturing one image on a photographic glass plate, so the total number of images in each sequence was limited by the number of cameras, about two dozen at most. Muybridge used his system to analyze the movements of a wide variety of animal and human subjects. Hand- painted images based on the photographs were projected as moving images by means of his zoopraxiscope.

Some early films were made to be viewed by one person at a time through a . Others were intended for a projector, mechanically similar to the camera and sometimes actually the same machine, which was used to shine an intense light through the processed and printed film and into a projection lens so that these . The first kinetoscope film shown in public exhibition was Blacksmith Scene, produced by Edison Manufacturing Company in 1. The following year the company would begin Edison Studios, which became an early leader in the film industry with notable early shorts including The Kiss, and would go on to produce close to 1,2. The first public screenings of films at which admission was charged were made in 1. American Woodville Latham and his sons, using films produced by their company, and by the – arguably better known – French brothers Auguste and Louis Lumi. Around the turn of the 2.

The scenes were later broken up into multiple shots photographed from different distances and angles. Other techniques such as camera movement were developed as effective ways to tell a story with film. Until sound film became commercially practical in the late 1. Rather than leave audiences with only the noise of the projector as an accompaniment, theater owners hired a pianist or organist or, in large urban theaters, a full orchestra to play music that fit the mood of the film at any given moment. By the early 1. 92. The rise of European cinema was interrupted by the outbreak of World War I, while the film industry in the United States flourished with the rise of Hollywood, typified most prominently by the innovative work of D. Griffith in The Birth of a Nation (1.

Intolerance (1. 91. However, in the 1. European filmmakers such as Sergei Eisenstein, F. Murnau and Fritz Lang, in many ways inspired by the meteoric wartime progress of film through Griffith, along with the contributions of Charles Chaplin, Buster Keaton and others, quickly caught up with American film- making and continued to further advance the medium. Sound. In the 1. 92.

By 1. 93. 0, silent film was practically extinct in the US and already being referred to as . The expense of the process was daunting, but favorable public response in the form of increased box office receipts usually justified the added cost. The number of films made in color slowly increased year after year. In the early 1. 95. North American theater attendance.

Some important mainstream Hollywood films were still being made in black- and- white as late as the mid- 1. Color television receivers had been available in the US since the mid- 1.

During the 1. 96. The overwhelming public verdict in favor of color was clear. After the final flurry of black- and- white films had been released in mid- decade, all Hollywood studio productions were filmed in color, with rare exceptions reluctantly made only at the insistence of .

Classic Film and TV Caf. This month, our expert panel is comprised of: Caftan Woman, Silver Screenings, and yours truly. No one could have played Scarlett O'Hara in Gone With the Wind any better than Vivien Leigh. Caftan Woman:  Love it. Scarlett is on screen for most of the film and when she isn't, she is a presence. If the audience isn't interested or even enthralled with the character, the movie falls apart. The talent Vivien brought to the role was augmented by the audience not identifying her with another character.

That combination gives Vivien Leigh ownership of the role. Silver Screenings:  Love it. Other actresses at the time would have been good, but Vivien Leigh captures Scarlett's essence. She has the look, the attitude(!) and, most importantly, the voice. Leigh- as- Scarlett's overall tone is as sweet as pecan pie, but it also reveals the character's razor- sharp ambition. Rick:  Shove it. I think Vivien Leigh is very good as Scarlett, but I think GWTW would still be a classic without her.

It's Selznick's vision on the screen. Olivia de Havilland provides the film with its heart and Clark Gable provides the needed intensity.

Who do I think could have played Scarlett instead of Leigh? I admit that's a toughie. Gene Tierney is one possibility and Paulette Goddard doesn't look bad in her screen test (it's on You. Tube). 2. The quality of classic films declined with the end of the studio system in Hollywood.

Caftan Woman:  Shove it. Quality is in the eye of the beholder. Over time fashions, mores, styles and technology bring changes to the art and business of cinema. Each generation of filmmakers and audiences will create their own classics.

Silver Screenings:  Shove it. I feel the quality of classic films initially decreased, then increased over the years. While overall quality may have stumbled somewhat in the 1. The Godfather, All the President's Men, Rocky). A person can point to more recent examples, too, such as Dead Poets Society, Schindler's List, and The King's Speech.

It's not like the the studio era never produced, um, . The independent films of the 1. Otto Preminger and Samuel Fuller. I do think the studio system made it easier for young performers to break into the business. Watch Swim Team (2017) Online on this page. Julie Adams once told me that she was thankful to have a .

In terms of quality films produced, 1. Caftan Woman:  Love it.

While many years may lay claim to a plethora of quality titles including personal favourites 1. John Ford released Stagecoach. If that is not reason enough, simply check the other nine films nominated by the Academy for Best Picture. Silver Screenings:  Love it. Although quality films are being made all the time, I agree 1. Bumper Crop Year so far. Rick:  Love it. My runner- up would be 1.

The Graduate, In the Heat of the Night, Cool Hand Luke, To Sir With Love, The Dirty Dozen, The Fearless Vampire Killers, Guess Who's Coming to Dinner, and Point Blank. The MGM musicals set the standard in terms of innovation, spectacle and entertainment value. Caftan Woman:  Shove it. MGM created an incredibly talented musical unit and gave us true classics in the field. However, their peak of innovation and spectacle in the 1.

Therefore, I deny they set the standard for other studios which created their own look and stars. Silver Screenings:  Shove it – with a caveat: My complete lack of objectivity when it comes to musicals. MGM musicals are truly lovely, but I think Warner Bros. While I'm a fan of the Paramount and Warner Bros. Heck, MGM made four popular compilation films featuring highlights mostly from its musicals. I don't think any other studio could have done that.