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The Orthodox star of Menashe on his unorthodox rise to fame. Menashe Lustig sits at a diner table in Brooklyn’s Borough Park neighborhood, a yarmulke atop his head, tzitzit around his waist, an egg sandwich on his plate. Lustig, like the majority of the people in the establishment and its immediate vicinity, is a member of the strictly religious Hasidic sect of Orthodox Judaism. But there’s a key difference between him and many of his fellow Hasidim: He’s been to a movie theater. Not just that; it was a theater at the Sundance Film Festival. Not just that, either; he was on the screen. And not even just that; the film he was watching bore his first name — and he was its star.
Lustig is happy to be an outlier, even if the very fact of his cinematic debut has caused some controversy in his community. An indie drama distributed by A2. Yiddish — something hardly ever done in the past half century — and it performs the difficult and rarely attempted task of cinematically cracking open New York’s insular Hasidic community to outside observers. It is, in a quiet and unassuming way, a landmark film. In order to pull that off, director–cinematographer–co- writer Joshua Z Weinstein — a secular Jew — steeped Menashe in authenticity.
It’s a loose adaptation of Lustig’s real life: A year after the death of the title character’s wife, we follow him over the course of a few days leading up to a memorial service for her. By order of his rabbi, he’s been separated from his grade- school- aged son (Ruben Niborski) until he can find a new bride, largely because Menashe is so incompetent at parenting. Indeed, he’s incompetent at most everything; he’s as endearing as he is frustrating. The plot is secondary to the emotional beats and lush visuals, and the resulting film is a vivid and stirring meditation on parenting and community, one that is enormously sympathetic toward Hasidim.
It’s a collection of moments: a trip to a deli where you can make your own sandwiches, a chance encounter between father and son on the street, a discussion about why the world of the non- Jewish goyim is such a perverted disaster, a rousing and drunken performance of a lyric- less song over a dinner table, and so on. The cast is comprised almost entirely of real Hasidim, none of them trained actors, and though it doesn’t open theatrically until Friday, the mere fact of its existence has already created problems for Lustig.“People are like, ? Don’t deal with the outside world. They just want to dig you a grave,’ ” he says, his voice rising with frustration. The world of hard- core Orthodox Judaism — also known as Haredi Judaism — is one where modernity is a distrusted neighbor. It’s dangerous to generalize, given that Hasidic life is largely lived within subsects led by individual rabbis, all of whom have different opinions and edicts. But, broadly speaking, there’s a belief that too much exposure to the outside world leads to the corruption of religious morals.
Recreational internet use is frowned upon and consumption of mainstream entertainment is typically against the rules. Movies On Blu Ray Dvd Gun Shy (2017). It’s almost unthinkable that a Hasid would appear in a festival- friendly flick — let alone one about the insular Hasidic ecosystem. When a Hasidic man named Abraham Karpen attempted to appear in 2. New York, I Love You, he was threatened with excommunication and quit the film.“For most people here, there’s just so many negative possibilities of being on film, being on camera, being recorded,” says Weinstein, who is making his fictional feature debut with Menashe. They just don’t want to take that risk. I told every actor, . It’s up to you.’ When we went to Sundance, we only released Menashe’s and Ruben’s names, and that was it.”That’s all part of the learning process for the 3.
Weinstein has a long background in documentary- film cinematography, but he’d never interacted with the Hasidic community until recently. In his spare time, he likes wandering New York City with his still camera and, a few years back, came to Orthodox- dense Borough Park to get pictures of festivities related to the Jewish holidays of Lag B’Omer and Purim. He was instantly captivated — and curious.“When we think about New York City, we think about three things,” Weinstein says with a bit of cheeky hyperbole. We know about the first two, but we know nothing about the third. There’s so little representation of them in film or media.” In 2. Weinstein got in touch with Danny Finkelman, a filmmaker from a somewhat- liberal Hasidic sect who specializes in creating entertainment for use within the Orthodox community; Finkelman got him on the set of a short video sketch he was making with a Hasidic performer named Lipa Schmeltzer.“And there was Menashe,” Weinstein recalls. Lustig was playing a rabbi’s assistant in the video, and Weinstein couldn’t take his eyes off him.
Lipa had a big schtick; Menashe didn’t need schtick. His body told the whole story.”Lustig may have been a new find for Weinstein, but he was already an established personality in the tiny world of Hasidic entertainment. There’s an appetite for video content that amuses while still being religiously acceptable, and Menashe produces work within that vein.
For a decade, Lustig had been making Yiddish- language short films that he’d publish on You. Tube, zero- budget affairs that lovingly lampoon aspects of Hasidic life: the community’s independent EMS service, preparations for Passover, what British- accented Yiddish speakers sound like, etc.
Plus, Lustig’s videos can also be found on burned DVDs in Hasidic stores.) With his red sagebrush beard and preternatural calm, he has a natural charisma and never quite turns off the funny — when he enters the diner for our interview, carrying some newspapers in a ratty plastic shopping bag for unexplained reasons, he saunters over to Weinstein, points at the table, and deadpans, “Where am I sleeping?”Lustig was born in and has spent most of his life in the nearly all- Hasidic town of New Square, north of New York City, and though it may look to an outsider like he fits right in in Borough Park, he assures me that he sticks out a bit. While he’s outdoors, he wears a white shirt with a black vest and a modest yarmulke, rather than the traditional public garb of a long black coat and a large hat. That’s indicative of his relatively permissive approach to Hasidic life.
Lustig has been a widower since 2. I can’t marry someone who is too strict. I want to be free more. I believe that I’m not practicing everything. I say to people all the time, they should be like me.”Being like Lustig is a tall order, as his path has been an odd one. He’s spent his life working menial jobs — even now, he works at a grocery story — but in 2.
A friend decided to shoot some video of Lustig goofing around to a Lipa Schmeltzer songand uploaded it to You. Tube. But quick, it goes so quick, right away it picks up 5. People like it.’ You want to cheer people up.”By the time he and Weinstein encountered one another, Lustig was an experienced — if untrained and largely unpaid — performer.
Weinstein saw a natural gift in him that day on the set in 2. Lustig that he wanted to make a movie about Hasidic life and wanted him to participate in it, Lustig was skeptical.
Weinstein was especially fascinated by the fact that Lustig’s rabbi wouldn’t let him live with his preteen son until Lustig remarried. From that raw material, Weinstein and co- writers Alex Lipschultz and Musa Syeed drafted a script, most of which was fictional, but which drew on Lustig’s parenting dilemma.
With the help of Finkelman, a go- between par excellence, Weinstein assembled a cast of Hasidic nonactors. The one exception was young Niborski — he was from a non- Hasidic family that, in a rare feat for modern Jewry, spoke Yiddish at home. Like any shoot, it had its challenges, but these were idiosyncratic: Cast members would freak out about the way the movie was exposing their world to the outside, and would leave the production.