Secret in Their Eyes Movie Review (2. There is a long tradition of Hollywood co- opting the plots of well- regarded foreign films and then snuffing out the very qualities that made the originals feel fresh, unique and eminently remake- able.
The 2015 National Book Awards Winners announced: The 2015 National Book Awards Ceremony. Directed by Billy Ray. With Chiwetel Ejiofor, Nicole Kidman, Julia Roberts, Dean Norris. A tight-knit team of rising investigators, along with their supervisor, is.
While it might remove the need for those pesky subtitles, these Americanized versions too often erase such essential elements as logic, subtext and the sense of cultural relevance that made the title a standout in the first place. For every success like “The Departed,” based on Hong Kong’s “Infernal Affairs,” there are countless inferior reinterpretations that often count on star power to compensate for a watered- down rendition, regularly changed to a box- office- friendlier PG- 1. R rating. Advertisement.
Directed by Juan José Campanella. With Ricardo Darín, Soledad Villamil, Pablo Rago, Carla Quevedo. A retired legal counselor writes a novel hoping to find closure. Secret in Their Eyes on SHOWTIME - A chance to resolve a brutal murder case reveals an unspeakable secret.
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- I n early 2015, concerns persisted that the mainstream commercial film industry is no longer as dynamic or creative as it used to be. Not only was there a shortage of.
- Chiwetel Ejiofor, Nicole Kidman and Julia Roberts topline Billy Ray’s adaptation of an Oscar-winning Argentine thriller.
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I will never forget the first few months of 1. That was the ultimate winter of foreign remake discontent, when moviegoers were cruelly subjected to “The Vanishing” (a debasement of the same- titled Dutch chiller by the same director, no less), “Sommersby” (which sucked much of the magic out of the French arthouse sensation “The Return of Martin Guerre”) and “Point of No Return” (sorry, Bridget Fonda, you are not nor will you ever be “La Femme Nikita”). Well, they’ve done it again—and, sad to say, none too well—with “The Secret in Their Eyes,” 2. Oscar winner from Argentina. A smartly done, haunting crime thriller, revolving around a brutal 1. It's a reflection of the country’s rampant government corruption at the time.
The complicated “who, what, where, when and how” aspects were handled expertly, especially a scene staged in a massively crowded soccer stadium. But what truly distinguished this superb film were the intense emotional connections brought to life by actors Ricardo Darin and Soledad Villamil, who look and acted like real humans, not prettified facsimiles.
The agonizing unrequited love between Darin's justice agent and Villamil's department chief colored every bittersweet second of “The Secret of Their Eyes,” down to the agonizing final moments. Now we have “Secret in Their Eyes.” (That the “The” has been awkwardly ditched is just one in a pile of wrong- headed moves.) Instead of Buenos Aires, the setting is the least- glamorous portions of Los Angeles. Because the flashback parts of the story now take place in 2.
That leaves the door open for the cutting of many corners and questionable ethics in the name of security but also proves to be a distraction from the core plot. Advertisement. More damaging are the casting choices. Let’s start with the A- listers onscreen, beginning with Julia Roberts. There is nothing inherently wrong with changing the gender of the character that is related to the young female victim.
Except that the connection involved—mother- and- daughter—no longer provides the same sort of echo of the unrequited love angle. That the parent is an FBI investigator initially directly involved in the case makes matters too personal for her and her co- workers. As one character rightly notes, “We’re not just crossing the line, we’re burying it.” They also are disposing with believability as a result.“Secret in Their Eyes” also requires Roberts, who is kept at bay through much of the movie save for several showy outbursts and the twist ending, to turn down her star wattage considerably even before she is grief- stricken. Anyone who recalls Roberts in “Mary Reilly” as Dr. Jekyll’s plain- Jane servant knows how well her fans take to a cinematic frump- over of their idol. Meanwhile, Nicole Kidman as Roberts’ district attorney boss has a few strong scenes, including one with intensely sexual overtones, as she strives to make finding the killer a priority despite the fact that the prime suspect is a source of intel on a terrorist cell linked to a local mosque. But she also has to be incandescent enough to cause Roberts’ fellow FBI investigator, played by Chiwetel Ejiofor, to gaze upon her like a googly- eyed schoolboy any time she slinks across his path.
Too often Kidman, decked out in designer outfits as opposed to Roberts’ grunge garb, looks like she is floating through a perfume commercial. As for Ejiofor, who mesmerized in “1. Years a Slave,” he is not the problem even if he has more chemistry with character actor Dean Norris as sidekick Bumpy than he does with either female cohort. Also fulfilling their duties well are Michael Kelly, who knows his way around white- collar weasels lately thanks to his memorable work as Doug Stamper on Netflix’s “House of Cards,” and Alfred Molina as Kidman’s blustery higher- up. But although a surprising number of plot machinations from the original film remain fully intact, usually accounting for anything that seems remotely clever, what is missing is the type of hold- your- breath tension provided by good thrillers. Neither the camerawork nor the editing between 2. Billy Ray, an Oscar- nominated screenwriter for his “Captain Phillips” script, deftly directed the journalism- scandal biopic “Shattered Glass.” But he falls flat here.
It may be unfair to compare the Argentine version with this inferior one, since most people probably haven’t seen the first. But even when taken on its own terms, “Secret in Their Eyes” amounts to a disappointment. The real secret here: Reading subtitles is better than sitting through a weak imitation.
National Book Awards. National Book Awardsthe 2. National Book Awards Winners announced: The 2. National Book Awards Ceremony Live streaming video by Ustreamfiction. Winner: Adam Johnson, Fortune Smiles: Stories (Random House)Finalists. Longlist: fiction JUDGESDaniel Alarc. Ulin. Nonfiction.
Winner: Ta- Nehisi Coates, Between the World and Me (Spiegel & Grau/Penguin Random House) - Interview > finalists. Nonfiction JUDGESDiane Ackerman, Patricia Hill Collins, John D'Agata, Paul Holdengr. Knopf). - Interview > finalists. Poetry JUDGESSherman Alexie, Willie Perdomo, Katha Pollitt, Tim Seibles, Jan Weissmiller. Young People's Literature. Winner: Neal Shusterman, Challenger Deep (Harper. Collins Children's Books).
Interview > finalists. Becky Albertalli, Simon vs. Anderson, Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad (Candlewick Press)Rae Carson, Walk on Earth a Stranger (Greenwillow/Harper. Collins Children's Books)Gary Paulsen, This Side of Wild: Mutts, Mares, and Laughing Dinosaurs (Simon & Schuster Children's Publishing) Ilyasah Shabazz, with Kekla Magoon, X: A Novel (Candlewick Press)Young People's Literature JUDGESJohn Joseph Adams, Teri Lesesne, Laura Mc. Neal, G. Neri, Eliot Schrefer. I suppose I can be said to be amazed by the way those two quantities intertwine.
It is too much to ask for, but when it comes we can be glad. Read more. Karen Bender. Refund: Stories As a writer, what surprised me in the process of writing Refund is what surprises and thrills me, always, when writing fiction—how private and secret perceptions and thoughts can, when expressed, reach out and resonate in the thoughts of readers, I was surprised and happy, for example, when readers responded to the portrayal of family separation in . I feared it was a diversion, that I'd spend months researching and it wouldn't make sense to include this information anywhere in the novel. Ultimately, I couldn't resist jumping down that research rabbit hole, and all the others that came after it. Now I think that pursuing the unknown or difficult elements of a story is my favorite part of being a writer. I love to fashion entire worlds in my stories—these I try to adorn with details gleaned from the real world and the emotions of life lived.
That means most white Southerners are older than I am and grew up in a world where you could go for weeks and not see a black person, and that's what they told me when I asked them. Segregation totally worked. My recollections of the various legal stratagems used to dispossess black landowners were all too true. My goal was to take numbers and stats and make people feel them with actual stories. It was to take scholarship and make it literature. Read more. Martha Hodes.
Mourning Lincoln. Almost everything surprised me, starting with such a diverse array of personal responses to Lincoln’s assassination. Of course I expected to find an outpouring of grief, but I didn’t expect to find such unmitigated fury among Lincoln’s mourners. Nor did I expect that so many mourners would blame the assassination squarely on the institution of slavery. Read more. Sy Montgomery. The Soul of an Octopus. In the process of writing this book, I was surprised at every turn: that octopuses taste with their skin.
That most of their neurons are not in the brains, but in their arms. Smith. Ordinary Light. Watch Score A Film Music Documentary (2017) Movie Stream.
What did I discover? That many of the questions that are alive and felt- -but often unspoken- -in a poem suddenly, because I was working in prose, demanded to be explicitly addressed on the page, before the reader's eyes.
Those themes surprised me, but once I submitted to them, they became some of the story's central concerns. Read more. Ross Gay. Catalog of Unabashed Gratitude.
I was surprised again and again in the writing of this book—poem by poem I was surprised with all these strange and weird arrivals, these little events or moments that I never ever would have predicted. That's part of the delight, for me, of writing poems. Read more. Amy Gerstler.
Scattered at Sea. Surprise in writing refreshes the brain, makes novel ways of thinking and feeling possible. In this book, within individual poems, what felt like hairpin turns I hadn't seen coming sometimes took me aback, as did voices that popped up seemingly out of nowhere, or unanticipated emotions.. I'd planned for the poem to traffic in. Read more. Marilyn Hacker. A Stranger's Mirror. A surprise more after writing the book than during its writing: there are several poems directly or indirectly about Syrian exiles and refugees.
Now, unfortunately—with half a country's population fleeing carnage and seeking refuge—it is. If it doesn’t, it’s not yet a poem. Download Whole Steve Mcqueen (2015) Movie. If it doesn’t have to, it doesn’t need to be a poem.
But I never have any idea of how that will happen. The poem itself tells me. That’s where the surprise lives. Finding a language for joy was intensely hard. It was easier to go into the pitch- black caves, to plummet into the colder, harder core of the self, than to risk admitting that there is pleasure in this life, that being alive in and of itself is an ecstatic thing.
So that was another discovery: that the elegy is made of lament and praise. Lament for the lost king, and praise for the kingdom he once was. I pillaged my notebooks and my abandoned work for passages that might press me further. I just wrote things down, forbidding myself from reading what I wrote for several days, so I could be surprised into writing more. Anderson. Symphony for the City of the Dead. I discovered a whole new world while writing this book—which is why it took so many years to finish. They talk not about the Second World War, but about the .
Around half the total casualties in what we call WWII were Soviet citizens. We need to understand the depth of that historic sacrifice if we're ever going to understand modern Russia and its people. When I began writing, I expected she'd be tarred and feathered and chased off with pitchforks if she were ever discovered. It was the Victorian era, after all. I was surprised to discover this couldn't be further from the truth. Necessity breeds solution, as they say, and hardships along the trail forced pioneers to embrace extreme pragmatism about gender roles. With the 1. 96. 8 election approaching, Richard Nixon, the Republican nominee, successfully undermined peace talks aimed at ending the war.
Just days before the election, the talks were finally making progress, and Nixon feared a peace deal would rob him of his best issue – the Democrats’ failure in Vietnam. So Nixon secretly urged the president of South Vietnam to refuse to go to Paris for talks, promising that, if elected, he’d be a better friend to the South than Democrats had been. It worked – and the talks stalled again. And the most incredible part was that Lyndon Johnson knew all about it, thanks to wiretaps and intercepted cables! Nonfiction on Wednesday, September 1. Fiction on Thursday, September 1. Previous Longlist announcements were made in partnership with The Daily Beast and The New York Times.“The New Yorker and the National Book Awards are natural partners,” said the Foundation’s chairman, David Steinberger, CEO of Perseus Books Group.
The past three Winners of the Award in Nonfiction, Katherine Boo, George Packer, and Evan Osnos, for example, are all known for their work in The. New Yorker. The National Book Award Finalists will be announced on October 1.
Winners will be announced at a gala dinner and ceremony in New York on November 1. For more information on the Awards and a list of this year’s judges, visit www. The National Book Foundation's mission is to celebrate the best of American literature, to expand its audience, and to enhance the cultural value of good writing in America. In addition to the National Book Awards, for which it is best known, the Foundation's programs include 5 Under 3.