AMC Networks (AMCX) Q2 2. Results - Earnings Call Transcript. AMC Networks, Inc.
Sapan - AMC Networks, Inc. Sean S. Sullivan - AMC Networks, Inc. Edward A. Carroll - AMC Networks, Inc. Analysts. Michael Morris - Guggenheim Securities LLCMichael B.
Nathanson - Moffett. Nathanson LLCBenjamin Daniel Swinburne - Morgan Stanley & Co. LLCTodd Michael Juenger - Sanford C. Bernstein & Co.
LLCBryan Kraft - Deutsche Bank Securities, Inc. Tim Nollen - Macquarie Capital (NYSE: USA), Inc. David Joyce - Evercore Group LLCOperator.
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Ladies and gentlemen, thank you for standing by, and welcome to the AMC Networks Second Quarter Earnings Release Conference Call. All lines have been placed on mute to prevent any background noise. After the speakers' remarks, there will be a question- and- answer session. Mr. Zaslow, please go ahead. Seth Zaslow - AMC Networks, Inc.
Thank you. Good morning, and welcome to the AMC Networks second quarter 2. Joining us this morning are members of our executive team, Josh Sapan, President and Chief Executive Officer; Ed Carroll, Chief Operating Officer; and Sean Sullivan, Chief Financial Officer. Following a discussion of the company's second quarter 2.
If you don't have a copy of today's earnings release, it is available on our website at amcnetworks. This call can also be accessed via our website. Please take note of the following. Today's discussion may contain statements that constitute forward- looking statements within the meaning of the Private Securities Litigation Reform Act of 1. Investors are cautioned that any such forward- looking statements are not guarantees of the future performance or results and involve risks and uncertainties that could cause actual results to differ.
Please refer to the company's filings with the Securities and Exchange Commission for a discussion of risks and uncertainties. The company disclaims any obligation to update the forward- looking statements that may be discussed during this call. Further, we will discuss non- GAAP financial information.
We believe the presentation of non- GAAP results provides you with useful supplemental information concerning the company's ongoing operations and is appropriate in your evaluation of the company's performance. For further details, please refer to the press release and related footnotes for GAAP information and a reconciliation of GAAP to non- GAAP information, which we'll refer to on this call. With that, I would now like to turn the call to Josh. Joshua W. Sapan - AMC Networks, Inc. Thank you, Seth. Good morning, everyone, and thank you for joining us for our second quarter earnings call. We are pleased with our financial and operating performance in the second quarter and for the year thus far. We're growing revenue year- over- year and are returning capital to shareholders through stock buybacks that reflect our confidence in the future of our business.
We also recently completed an $8. Importantly, we remain on track to deliver on our full- year total company outlook. Our consistent financial performance is the result of our long- term focus on investing in marquee content, on building distinctive discrete brands that people associate with quality entertainment and on diversifying our revenue by expanding our global presence and building out our studio operation. We're all quite familiar with the many ways technology is changing consumer behavior and the impact of these changes is being felt in all areas of the business, among distributors, advertisers and our peers. We are fortunate to be among those companies that foresaw many of these changes coming.
Years ago, we viewed the shifts in media consumption as an opportunity to adapt the type of content we offered and to adjust our business models accordingly. A couple weeks ago, we celebrated the 1.
Mad Men, which ushered in a new era for AMC Networks and in many ways, altered the television business by making smart, immersive, serialized dramas a mainstay of both premium and basic cable. Our singular goal at that time was to become a premium television destination on basic cable, by investing in and creating high quality distinctive shows. Our perseverance and success in this pursuit over the last decade has placed us in what we think is a very advantageous and attractive position in what's obviously a very, very competitive landscape. So today, we are home to four of the top five dramas on basic cable, including The Walking Dead, which remains the number one show on all of TV by a wide margin.
We have passionate, engaged fan bases for our fans driven by shows like BBC America's Orphan Black, AMC's Preacher, WE tv's Growing Up Hip Hop. Our networks were recently recognized with 2. Emmy nominations, across multiple categories and genres ranging from dramas like AMC's Better Call Saul, to comedies like Portlandia and Documentary Now! These agreements are providing us with visibility and stability, as well as incremental distribution gains, in particular for our non- fully distributed networks. We're also leading the industry with innovative approaches that ensure our channels, shows and brands are available on a wide array of platforms. We're doing this through new partnerships with traditional distributors like Comcast as well as with emerging so- called virtual MVPDs such as You.
Tube TV. These distributors recognize that viewer engagement and attachment matter greatly today. And in order to sustain and grow existing platforms as well as launch and expand new platforms, we need to offer a lineup of channels that are distinctive and meaningful to viewers and that are very, very appropriately priced. Among our new and what we think are fairly pioneering initiatives is something called AMC Premiere, an upgrade option that launched last month to Comcast Xfinity customers. AMC Premiere caters to fans of our popular shows like The Walking Dead and Into the Badlands and offers real- time ad- free viewing of in- season original series, as well as exclusive and first- look content. We're the only basic cable network to create this type of premium television option, and we think this offering acknowledges the importance and resonance of our shows and brands and of how we can drive value for distributors.
It's also a way for us to offer something new to the most passionate fans of our programming at scale. We also recently partnered with Charter in a manner that is entirely new and benefits both of our businesses. Through AMC Studios, we're developing and co- producing original shows that will be exclusive to Charter's spectrum customers. This is a new way for Charter to differentiate their offering, and it enables us to expand our AMC Studios output. We think this is a recognition that our creative expertise and the value we can bring to content creation for a traditional MVPD.
As new MVPDs continue to enter the market, they need to offer the strongest, most desirable content and brands in order to take root and to grow and compete. That is why four of the top five major streaming services have elected to feature AMC Networks channels in their offerings. In fact, no other non- broadcast affiliated programmer is carried in more of these virtual MVPDs than is AMC Networks. Much has been said, written and discussed about the evolution of the cable ecosystem. The world is changing and there's obviously pressure on underperforming cable channels.
Channels without brand resonance, viewership or attractive pricing that are actually a legacy of a time when there was some sort of abundant opportunity for one company to create 1. We see evidence of this pressure in the winnowing of channels that is occurring today with many network groups reconstituting and converting channels or shutting down channels all together. This is not the case for us. We are home to a collection of five top- tier channels. We base this ranking on our channel brands, viewer consumption and not unimportantly, the price that cable operators and virtual MVPDs pay us.
Song of Myself. Won't you help support Day. Poems? 1. 81. 9- 1. I celebrate myself, and sing myself. And what I assume you shall assume.
For every atom belonging to me as good belongs to you. I do not know what it is any more than he.
I do not laugh at your oaths nor jeer you; ). The President holding a cabinet council is surrounded by the great. On the piazza walk three matrons stately and friendly with twined arms. Sci Fi Movies Dvd Madame Bovary (2015) on this page.
The crew of the fish- smack pack repeated layers of halibut in the hold. The Missourian crosses the plains toting his wares and his cattle. As the fare- collector goes through the train he gives notice by the. The floor- men are laying the floor, the tinners are tinning the. In single file each shouldering his hod pass onward the laborers. Seasons pursuing each other the indescribable crowd is gather'd, it.
Seventh- month, (what salutes of cannon and small arms!). Seasons pursuing each other the plougher ploughs, the mower mows. Off on the lakes the pike- fisher watches and waits by the hole in. The stumps stand thick round the clearing, the squatter strikes deep.
Flatboatmen make fast towards dusk near the cotton- wood or pecan- trees. Coon- seekers go through the regions of the Red river or through.
Tennessee, or through those of the Arkansas. Torches shine in the dark that hangs on the Chattahooche or Altamahaw.
Patriarchs sit at supper with sons and grandsons and great- grandsons. In walls of adobie, in canvas tents, rest hunters and trappers after. The city sleeps and the country sleeps. The living sleep for their time, the dead sleep for their time. The old husband sleeps by his wife and the young husband sleeps by his wife.
And these tend inward to me, and I tend outward to them. And such as it is to be of these more or less I am. And of these one and all I weave the song of myself. I resign myself to you also- -I guess what you mean. I behold from the beach your crooked fingers. I believe you refuse to go back without feeling of me. We must have a turn together, I undress, hurry me out of sight of the land.
Cushion me soft, rock me in billowy drowse. Dash me with amorous wet, I can repay you. I will accept nothing which all cannot have their. I am possess'd! Iowa, Oregon, California?
O welcome, ineffable grace of dying days! I plead for my brothers and sisters. Comment on Day. Poems? If you are like us, you have strong feelings about poetry, and about each poem you read. Let it all out! Comment on this poem, any poem, Day. Poems, other poetry places or the art of poetry at Day.
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