The Great Wall Movie Review & Film Summary (2. Chinese/American co- produced action- fantasy . True, when square- jawed Matt Damon fights alien monsters side- by- side with Chinese soldiers, the film sometimes feels like a spectacular big- budget action epic with a golden- age western- style hero. But the makers of .
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The monster, they are told, is a . William and Tovar are initially unmoved by the Nameless Order's considerable plight; they want to make their fortunes by stealing gunpowder from their hosts, and selling it to European traders. But eventually, William and Tovar's agendas drift apart after William becomes seduced by the formal control and selfless zeal that defines the Nameless Order. Watch New All Saints (2017) Online. And who wouldn't be impressed? The Nameless Order marches around in colorful suits of armor that come in hues of indigo, crimson and cerulean. They launch themselves at their enemies using pulleys, bungee cords, hot- air balloons, boulder- spewing catapults, and many, many arrows.
But it's really about what happens when you get older.
Each crowd shot in this film is remarkable, but not because director Zhang Yimou (. On the contrary, the impassive faces of the Nameless Order's soldiers remind us that all of these people, together, are remarkable.
In that sense, the scene where William admits that he killed a Tei Tao . The film's action scenes also exemplify a sense of precise, shared responsibility that one rarely sees in action- spectaculars. The army works together as a unit, just as the Tei Tao do. You can imagine how hard that philosophy might be to enforce given that it demands a big enough budget to focus on two warring armies' clashing maneuvers. But no, the film's action set pieces are not only thrillingly large- scale, but visually rapturous, despite a preponderance of computer- generated imagery.
There are a handful of well- choreographed and well- directed, Damon- centric action sequences, but it's very easy to be seduced by scenes that focus on impersonal warfare. In the latter scenes, the art department flexes their collective muscles with every lionhead- shaped helmet and barbed offensive weapon. Who could remain unmoved after watching a group of individuals dangle, thrust, and throw everything they've got at a legion of deranged- looking creatures? Advertisement. Unfortunately, the film slows down whenever it becomes a buddy comedy starring William and Tovar. If I had to guess, I'd say that screenwriter Tony Gilroy (. But there's no spark between the two actors.
In these scenes, Damon and Pascal perform time- honored roles that you'll find in many Asian films: the Caucasian performers who look like they wandered onto the wrong set and are unsure of what acting is. Damon orates through clenched teeth, which suits his fight scenes, but makes him sound constipated. Combine that with a weird Irish- inflected accent that presumably is meant to be generically European—his character boasts about fighting in various European conflicts—and you've got a crucial black hole where your leading man should be. Thankfully, . In fact, it works best when he's part of a group, though he does predictably drift into a leadership role eventually. Free Download Finding Dory (2016) Movie. William's story is an assimilation narrative, after all, one where the hero sees the error of his past and tries to fit into a society that values utilitarian goals over individual needs. See it on as big a screen as you can.
The Lost City of Z Movie Review (2. But it's really about what happens when you get older and realize that your youthful dreams haven't come true yet: you either ratchet expectations back a bit, or double down and charge harder in the direction of your obsession, realizing that it's not as easy to maintain momentum as it used to be. Viewers who are familiar with the true story the film is based on will enjoy it on an immersive level, savoring the period details and arguing about whether they were represented accurately by writer and director James Gray (. Those who don't know anything about the tale going in (a category that included me) might be gobsmacked by what happens. The order of events doesn't stick to any established commercial movie template. What happens feels as random yet inevitable as life itself.
Advertisement. Charlie Hunnam stars as Percy Fawcett, a British Army officer who in the first part of the 2. Amazon jungle to find the titular city, which he named Zed, or Z.
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Fawcett hoped that finding Z would prove his theory that—contrary to the racist attitudes of the same people funding his expeditions—certain nonwhite civilizations were more advanced than any western society in existence at the same time. Percy also had deeper, personal motivations, chief among them to prove himself a respectable Englishman, especially since his father's Army career destructed in a blaze of alcoholic misbehavior (.
Percy would never describe himself in these terms, because Freudian self- analysis wasn't a thing back then, but he is driven by a need to prove that he's the opposite of his father in every way: a reliable officer, an important explorer, a dedicated family man. That last ambition takes a bit of a hit, though, because Percy keeps going back to the jungle in hopes of finding the lost city. His wife Nina (Sienna Miller) is a proto- feminist, or at least more liberated than English army wives tended to be in the early 1. When she speaks of their marriage as a partnership of equals, it's clear that she really means it, and that Percy and the movie respect her vision.
But as Nina points out, when Percy repeatedly leaves England for South America to lead a band of similarly obsessive men (including his best friend, Corporal Henry Costin, a terrific character turn by Robert Pattinson) he's forcing her into the traditional role of supportive wife and caretaker to their kids, and assuming that she'll subordinate her own dreams (which he hasn't asked about) to his. Gray has become one of my favorite American filmmakers. He has the ability to do what's called . Whether he's imagining 1. New York City in .
They even notice the different ways that light falls on faces and the folds of clothing depending on whether a scene is lit by fluorescent lights, early oil lamps, a campfire or the moon. Here, as in his other films, you never feel that you're watching one of those prototypical Oscar- baiting period movies where . Whether it is re- creating a fancy dress ball filled with English Army officers and their partners and servants or a camp in the Amazon basin staffed with slaves and ruled by the Portuguese boss of a rubber trading company (a brief but sensationally effective appearance by Franco Nero), . Advertisement. More important, though, is the film's attention to character. Visually, Percy's story is aligned with a tradition of films about white Europeans traveling to . There are unabashed nods to .
The film doesn't sugarcoat their casual viciousness and greed, but it doesn't turn Percy into a white savoir, either. Here, as elsewhere, Percy is only slightly more sensitive than the people whose money and approval he seeks. He treats the Amazon tribespeople with respect and affection, but they are ultimately a means to an end, a way of getting him closer to his dream of finding that city. Percy's behavior toward his family is equally complicated, admirable in some ways and appalling in others. He's a kind and decent individual, and he seems genuinely sorry for all the grief he puts his wife through, and guilty for letting his children grow up while he spends years away from them.
But he still keeps going back into the jungle, and he eventually draws his eldest son Jack (played as a teenager by Tom Holland) into his dream, while seeming oblivious to the fact that he's exploiting the boy's desire to get close to a dad who was never around. Advertisement. The movie has its problems. There are moments when Nina's dialogue strains to convince 2. Percy can be too recessive and nice for the film's own good. And a depiction of trench combat in World War I Europe, which interrupted Percy's trips to South America, is appropriately harrowing but did not need to take up as much real estate as it does.
As shot by Darius Khondji (. And it's wise about how to use actual historical events as metaphors for basic desires (to succeed, to redeem oneself). It never forgets that that these were real people whose words and deeds had consequences that should not be swept under the carpet for the sake of a happy ending.